Work by black artists today is almost uniformly understood in terms of its "blackness," with audiences often expecting or requiring it to "represent" the race. In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about thi[...]
For years, critics of premillennialism have argued that John Nelson Darby was the source for the doctrine of the rapture and dispensationalism. Building upon years of research in seventeenthcentury and eighteenth-century English theological writings, William Watson argues that dispensationalis[...]